My 2¢: The Differences Between Art and Design

June 27, 2012 in Art, Business, Design, My 2¢

Before I get into this, I would like to emphasize this is purely my opinion based on personal experience. 

I spent the majority of the last decade studying art and design, three years for art, five for design. During that time I was also working and have been relatively successful as a designer for around eight years. I say relatively since there really is nothing to compare a design career to anymore. Used to be you could compare what you’d done to various “superstar designers” but that era has/is quickly disappearing. Now, if you have a goal or mantra that dictates what you’d like to do with your projects, that is more commonly how designers will gauge success.

Outside of the people and companies who hire designers and artists, and the design and art communities themselves, the two area’s still aren’t hugely respected as career choices. Anyone who has taken either in school has experienced this in the form of questions like: “What are you going to do for work?” or “Is there a market for that?”. Unfortunately with the economy in the state it has been since 2008, and will be for at least a few more years, the questions do hold value. On the plus side, if you are currently in school for either of these, fear not. If you put your creatively advanced minds’ to it, you should be able to come up with some in and out of the box answers. That said, don’t let my comment on “creatively advanced minds” go to your head. I am of the school of thought that really anyone can be an artist or a designer, whether you will be successful at either venture depends nearly equally on how good you are, who you know, how hard you’re willing to work and just random dumb luck.

Artist and designers do share a few commonalities, one that they don’t however, is that design is a service industry, art is not. The majority of projects that you will do as a designer are not for you, they’re for someone else. This means the following: you can’t fall in love with the project, it is not your baby, it is someone else’s. Although, you should love what you do enough to put all you can into the project as if it is your baby and you are in love with it, it is a thin line that you have to walk. You can’t dwell on a project for as long as you want, the industry simply doesn’t allow it. You have deadlines and just like any other job, if you don’t meet them, there will be consequences. This is why you have to be efficient and think on the ball, so to speak, so that you can timeline your projects to include the proper process so that the story of the end product can be properly written.

I didn’t spend enough time as an artist to explain the following as specifically as I did with design but there are small similarities and large differences. Like a designer, an artist can have a contracted or commissioned project, in which case you will also have a deadline. Artists however are allowed to fall in love with their work, actually its really more of a requirement to do what they do, in whatever media they are working in. As an artist you can take critique personally because whatever you’ve done has come from a place not necessarily motivated by servitude so much as a straight shot from your creative epicentre. From someone who came from an artistic background into design, it took me a long, long time to not be attached to a project as I would to a sculpture or painting I’d done. I won’t lie, it still occasionally happens and I doubt you could find a designer with or without an artistic background that hasn’t had the same problem.

The funny thing is even with all of the differences between art and design, the two are grouped together as many times as they are compared. It is true, the world needs both art and design just as it needs every other creative venture like music and architecture. Unfortunately all of the above are easily effected by economic trends and, that is the commonality that they all share. When it comes down to it and a person or company is looking at the bottom line, they need to weigh their “wants” and their “needs”. More often than not, a creatively motivated item will fall in the “want” category which is why the ones that survive in creative industries really have to love what they do, and think on their feet. If they don’t they will fall victim to rejection, money troubles and eventually look for a way out, which is a shame.

Img Sources: Art Is Everywhere, isleofideas.com,

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Canadian Creative Pride

June 17, 2012 in Creativity, Film, Music, Trending

Today I am inundated by the echoed sounds of rehearsals from down the street. I live about a block from MuchMusic, and tonight is the “MMVA’s” or Much Music Video Awards, held annually on Father’s Day since 1990.  Unlike the MTV awards which are sequestered away inside a theatre and performed to an audience of nominees, celebrities and fans; the MMVA’s are held outside and the music is for anyone willing to brave the elements and crowds. I supremely admire this idea, it is a very Canadian thing to do and one of the few that is not a stereotype.

The entire production has a very welcoming vibe, and has come a long way from its first airing over two decades ago in 1990 when it was called “The Canadian Music Video Awards”. In 1990 the dynamic was as public as it is today, albeit a little more eccentric. The CMVA’s actually took place on a train (thats not a typo) which traveled across Canada over the course of a week, visiting various cities where the musicians would perform. For obvious logistical reasons, the next year the awards took place in the iconic century-old ChumCity Building at 299 Queen St. West, where both the awards and MuchMusic hail from today (along with about a dozen other media broadcasts).

The ChumCity/MuchMusic Building normally…                  …and during the MMVA’s…

 

 

 

 

 

 

Throughout the 22 years of the MMVA’s there have been performances by many, many musicians. The Crash Test Dummies in ’91, Bryan Adams in ’92, Treble Charger and Alanis Morissette in ’95, Sheryl Crow in ’96. Blur, Bush, Greenday, The Smashing Pumpkins, A Tribe Called Quest, Alice Cooper, David Bowie, Christina Aguilera, Britney Spears, The Red Hot Chilli Peppers, Lenny Kravitz, The Guess Who, Korn and I’ll stop there because there really is too many to list. The reason there’s too many to list is that the MMVA’s are more akin to a concert or music festival than an awards show. There are no official hosts, the MuchMusic VJ’s take care of that. The main stage is literally in the parking lot of the building and the red carpet is an entire street covered in red vinyl where the artists are known to arrive in various eccentric modes of transport. from hearses to human sized hamster balls. Each year sees around 10 musicians perform, this year gracing the stages will be: LMFAO, Katy Perry, Justin Bieber, Kelly Clarkson, Flo Rida, Hedley, Ed Sheeran, Carly Rae Jepsen, Nelly Furtado and Marianas Trench.

Speaking of festivals, this past week and weekend also marked the arrival of North by Northeast (NXNE), a live music and film festival that has lived in and around Toronto since 1994. The festival’s roots came from the South by Southwest festival in the US but have grown to include, (as of this year) 650 bands/musicians, all performing in and around Toronto, in bars, clubs, on the street, in squares and parks. One of the unique attributes of NXNE is that its entirely volunteer driven making the majority of the performances free to the public. Another is that it promotes and allows musicians and bands yet to “be known” to perform in a festival that is coveted by those that are already “known” bringing together an unprecedented eclectic mix of people from all over the world. For example this year has seen performances by The Flaming Lips, Raekwon & Ghostface Killah and Bad Religion. It has also seen The Stanleys, a pop group from Australia, The Aves, an indie group also from Australia, and Ben Caplan w/ The Casual Smokers who hail from Canada’s east coast.


I would be remiss to not mention that this past week Toronto was also host to Luminato, the Festival for Creativity (its been a busy week). Although not nearly as accessible as the MMVA’s and NXNE, still home to many very interesting, sometimes obscure performances, in many different creative arenas. I took in one of the performances, a supposed opera by Phillip Glass called Einstein on the Beach. I won’t go into what I thought about the performance here since I reviewed it for one of Toronto’s destination blogs, WhatToDoToronto.com, you can find the review here.

The mix of creativity that has descended on Toronto this week is astounding. Canada’s love for fostering creativity in all areas was undeniable. Though our reputation has been ridden over time with stereotypes; to those who think we are too nice or a trusting people, have a variety of different accents (that are commonly made fun of) and yes some of us do live in igloos, those aren’t bad things. Canada is home to hundreds of different cultures and we covet the immensely creative blood lines that run from the Maritimes, through the Great Lakes, across the prairies and to the mountains in the west. We are proud of this and are a strong country, full of good people who will not be phased by “Canadian, eh?” jokes. Come for a visit sometime, perhaps then you will understand.

Image Sources: era.on.ca, muchmusic.com, luminato.com, nxne.com

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Would You Trust Your Music To “The Cloud”?

June 1, 2012 in Business, Internet, Mobile, Music, Networks, Technology, Trending

I was reading this article on NPR today, regarding their music writer deleting his entire iTunes library of 25,000 songs (after backing it up) in favour of Apple’s iTunes Match service.  If you haven’t played with iCloud yet, the Match part of it allows you to host your iTunes collection on Apple’s cloud servers instead of your own computer.  This will, of course, free up space and allow your library and anything new you add to it to be available to any of your Apple devices, anywhere you have a connection to the internet.  It also doesn’t matter if say you only purchased some of the songs in your library on iTunes and the rest you “acquired” from different sources, as those will be uploaded too, and any low quality tracks will be automatically turned into relatively good quality 256k AAC’s (this also applies to any high quality tracks, they will be downgraded to 256k AAC’s).  This is a pretty big step in terms of how we think about our media and ownership of it, similar to the step I took around ten years ago when I decided to only have a digital music library and stopped buying CD’s, I’m not sure I’m ready to take this step though, and here is why.

The first and most obvious reason is if you don’t have access to the internet through wifi or 3G and up network speeds, you don’t have access to your music. I’m really attached to my music, I won’t lie, I doubt I could go a day without it. So for example say you fly on certain airlines that don’t have wifi on planes.  What you would have to do there is download the playlists from the cloud, so you’re re-downloading your own music, like syncing an iPod ahead of time and listen to them that way. If you happen to forget to do that though, its going to be a long flight. Also if you happen to venture outside of your home area and start to roam, roaming data charges are ri-dic-u-lous. A couple weeks back when I was in Las Vegas, before I even got there when I landed in detroit and turned my phone on, I had even received two text messages from my own carrier telling me that I was now roaming and asking me to commit to a roaming plan on the spot, so even they know roaming is expensive.

The second reason I’m a bit shy to trust my entire digital library to the internet is that nothing is infallible. I learned this lesson from the last windows based laptop I owned as well as the last windows based PC I owned, both went up in smoke, literally.  Though the possibility that I may just be a magnet for technological suicide, still, we have seen many large company’s sites overflown and downed by various groups over the internet during the last year, and if that were to happen to even part of one of Apple’s server farms that support iCloud, the potential for data loss would be rather large. I say that because iTunes Match isn’t the only thing you can sync (store) in the cloud, there’s contacts, pictures, notes, your calendar, doc’s and data, etc. If I were to upload my music collection to iTunes Match and delete it from my laptop, I would also back it up as Mr. Boilen did in the NPR article in case one day 14,000 songs disappeared from Apple’s servers.

Apple has gone to great lengths to advertise the usefulness of the cloud, the convenience of it and that it may indeed be infallible. They have even made the icon look like a cloud etched out of aluminum so that when you see it, you want to believe its similar to or as strong as your other Apple devices. Here is the man himself introducing the service nearly a year ago:


$25 a year, that is low, of course that is just for the use of the service which brings me to my third point. As many have learned through the use of services like Netflix or any other service which streams media from the internet to your computer/tv, this surprisingly (for early Netflix customers) uses data and it uses a lot of data. Netflix has recently fixed this problem (to a point) by using a more efficient compression on their files. According to Netflix, where 30 hours of streaming HD content used to use 31GB’s of data, it now uses 9GB’s. So you’re thinking “well that solves that” but that’s visual media and in that area, 30 hours is a pretty decent amount to use in a comparison, but think how much you listen to your music in a day. When you get up, on the way to work, at work, during lunch, on the way home from work, at the gym, at home, etc. Even if you only listen to your music in half of those instances, you’ll most likely spend around 3 hours a day listening to your library of songs. If we say a song is around 6mb’s and one hour of streaming from your library is around 150mb-200mb’s worth of data, that means you’re clocking in at a very generalized approximated 500mb’s per day or 3.5gb’s per week. That may not sound like a lot for a home internet plan, but it is over half of the highest data plan you can get on a cellphone in Canada (6gb/$30mth) and that is assuming that you’re only listening to music, and that you’re only doing this 3 hours per day. Plus it would be good to note how much time you spend listening to your music on your home internet and how much time you spend listening to it on say, an iPhone, when you don’t have access to wifi.

The fourth and final issue I have with the service is this, its essentially a free pass on anything you’ve pirated, I mean “acquired”, since anything you upload that is not in the iTunes library, is automatically remastered into legit DRM-free AAC’s. Good for you? Probably. How Apple got this past the music companies? I have no idea. That worries me because as I discussed at the end of the article I wrote on the rise and fall of MTV, the record companies are aggressively (slowly) taking back control of their media. As much as I love Apple and their products, if they can remotely delete an app off of an iPhone if they decide it no longer meets their TOS, its probably much easier to delete the songs in your uploaded library that don’t match the iTunes library. This would only happen if in the future one or two or all of the record companies get together and brought a lawsuit against Apple, and they won, but it is a possibility. We saw it happen with the original Napster and more recently Limewire.

So, to sum this up, would I trust my music to the cloud? Not yet, I’m going to give it another year or version. There is a reason it is commonly said that you should never buy the first of anything, the bugs are still being worked out. I do trust Apple to a certain extent and I trust that the service is a revolutionary idea, however much like when I decided to switch over from tapes to CD’s, and CD’s to MP3′s its a rather large step. Actually it’s the largest step if you understand that this time you’re giving up control completely, and putting your cherished music library in the hands of a cloud.

Media Sources: youtube, Cnet, Apple, techdigest

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